Ekadanta ganapathi

                     Ekamuka ganpathi


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There are some famous mythical testimonies at the back of the foundation of the Ekadanta shape of Lord Ganesha. let's have a look at every one in all them: consistent with the Padma Purana, once Lord Shiva's ardent devotee, Parashuram went to fulfill Him in Kailash. in view that, Lord Shiva changed into busy meditating, Lord Ganesha avoided Parashuram from entering the abode.His known for his anger in Hindu mythology. So, whilst Lord Ganesha stopped him at the gate, Parashuram have become furious and attacked the Lord with his axe. Lord Ganesha realised that it was proficient to Parashuram by Lord Shiva. So, He evaded blocking the assault of the awl and allowed it to chop off certainly one of his tusks. for that reason, Ganesha came to be referred to as Ekadanta. Later Parashuram realised his fault and asked for forgiveness from Lord Shiva, Goddess Parvati and Lord Ganesha. every other fable about Ekadanta is going like this. as soon as Lord Ganesha become returning from a feast, wherein He had ate up a big variety of laddoos and modaks. while He was returning on His mount, the mouse named Krauncha, a snake got here their manner. On seeing the snake, the mouse dropped Lord Ganesha and fled away. As a result, Ganesha's stomach burst open and all of the chocolates came out. but Ganesha amassed all the goodies and positioned them returned in His stomach. Then He tied the snake around His stomach to hold it together. Seeing this incident, the moon (Chandra) burst out laughing. Lord Ganesha have become angry on seeing the moon guffawing. So, he broke one of His tusks and hurdled it at the moon and cursed it that the moon will never be capable of shine in its full glory. Later the moon asked for forgiveness and Lord Ganesha eliminated the curse from the moon. So, that is how He came to be called the Ekadanta. This incident is likewise the reason why people refrain from seeing the moon at the night of Ganesh Chaturthi. there's but some other tale which says that Lord Ganesha used certainly one of His tusks as a pen to write down down the epic of Mahabharata while He acted as a scribe for Ved Vyasa. The Ekadanta Ganapati is portrayed with a huge, belly, darkish complexion, four palms and a damaged tusk. it's miles stated that if you worship Ekadanta form of Ganesha, you can obtain achievement in anything paintings you do and improve awareness on your work. The broken tusk of the Lord signifies that he's going to sacrifice anything to furnish the desires of His devotees.

simhachalam in templesin andrapradesh

The neighborhood Sthala purana consists of a legendary account of the foundation of the Temple which relates to the famous tale of the demon King Hiranya-Kasyapa and his son Prahlada. Hiranyakasipu and Hiranyaksha who are brothers and robust demon lords bent upon demanding the peace of the world.

Hiranyaksha, seized the earth and carried it to neither areas. Lord Vishnu killed him and introduced the earth from the clutches of the demon by means of assuming the Boar incarnation (Varaha Avatara). Hiranyakasipu wanted to avenge the death of his brother Hiranyaksha. He wanted to turn out to be immortal and consequently executed austerities (tapasya) to propitiate Lord Brahma. however, Lord Brahma said that was no longer possible so Hiranyakasipu asked Lord Brahma to furnish him a boon in order that he could not be killed by means of either animal or a person neither inside the morning nor in the night, by using any guns, neither in sky nor on the earth. Hiranyakasipu wanted the entire world to worship him. He added to his may the energy of penance and began to punish the gods and sages, the devotees of Lord Vishnu.

Son of Hiranyakasipu, named Prahalada have become a devotee of Vishnu even from his delivery and hence introduced upon himself the wrath of his father. Hiranyakasipu attempted to mend the methods of his son, but when he discovered him to be adamant, made him undergo extreme hardships. He made the elephants trample over him and set poisonous snakes against him. Prahalada, covered as he become by divine grace, stood company Hiranyakasipu as a ultimate inn, asked his servants to throw his son into the sea and region massive mountain over him. His servant pick to drop Prahalada within the sea close to the mount Simhadri with a purpose to area the mountain over him. however earlier than they could entire their act Lord Narayana rescued him via leaping over the hill and lifting up Prahalada from the sea. Simhadri is thus the area in which the Lord rescued Prahalada.

The shape of Varahanarasimha (Dwayavathara) was assumed via him, at the prayer of his devotee, Prahalada, who desired to see both the incarnations of the Lord, the only through which he had already killed Hiranyakasha and the other with the aid of which he would kill Hiranyakasipu.

in keeping with Stalapurana, Prahalada became the first individual to assemble a temple spherical the Deity. He achieved this after his father’s death on the arms of Narasimha. however at the stop of that lifestyles-cycle (Krita yuga), the temple changed into unnoticed and began to decay. Even the Deity turned into no longer sorted and crests of earth slowly amassed round the photo.

but, at the start of some other life-cycle, the Lord all over again turned into discovered with the aid of Emperor Pururava of the Lunar Dynasty. Pururava, along with his partner Urvasi, using on an aerial chariot over the hills of the South, turned into interested in Simhachalam by means of a mysterious power. He located the Lord at the hill mendacity imbedded in crests of earth. He cleared the earth around the image of the Lord. Then he become addressed by means of the akaasavani not to expose the photograph however cover it with sandal paste. It additionally brought that the Lord ought to be worshipped on this shape, and most effective once in a 12 months, at the 0.33 day in the month of Vaisakha his nijaswarupa can be found out. performing below the commands of akaasavani, king pururava implemented over the image an amount of sandalwood paste which is equal to the dust he had removed, worshipped the deity, and built the temple all over again across the picture. The temple persisted to flourish ever considering the fact that.

➘ history

the exact age of the temple isn't always known, however it contains an inscription, dated as a long way lower back as 1098-99 A.D. of the Chola king Kulottunga-I, who conquered the Kalinga territories, and it need to as a consequence have been a place of significance even with the aid of that duration. some other inscription indicates that a queen of the Velanandu leader Gonka III (1137-56)included the photograph with gold a third says that the japanese Ganga king Narasimha.

I built the principal shrine,the mukhamandapam,the natyamandapam, and the enclosing verandah in black stone in the later half of of thirteenth century and other offers inscribed on its partitions (the authorities Epigraphist's lists for 1899 supply no longer less than one hundred twenty five such inscriptions) make it a regular repository of the history of the district.

The Simhachalam temple nonetheless includes in inscriptions left here by way of Sri krishna Devaraya of Vijayanagara empire recounting his successes and referring to how he and his queen offered the yod with necklace of 991 pearls and other luxurious items.

Architecturally the temple reputedly merits excessive praise. This temple incorporate a rectangular shrine surmounted with the aid of a excessive tower, a portico in the front with a smaller tower above it, a square sixteen pillared mandapam (called the mukhamandapam) dealing with this, and an enclosing verandah, all fabricated from darkish granite richly and delicately carved with traditional and floral ornament and scenes from the Vaishnavite puranas. a number of the carvings are mutilated (via Muhammadan conquerors, it's far stated). one of the pillars is referred to as the kappa stambham or 'tribute pillar'. it's miles credited with splendid powers of curing sicknesses and granting youngsters. in the verandah is a stone vehicle with stone wheels and prancing stone horses.

outdoor this inner enclosure there's the tremendous natyamandapam at the north aspect of the temple, wherein the god's marriage is carried out. that is supported by using 96 pillars of black stone, arranged in 16 rows of six every, which are extra delicately carved than any others inside the temple, are all exclusive within the information of their design, and yet keep away from incongruity of effect by way of adhering to at least one standard kind - in particular in their capitals, that are commonly of the inverted - lotus form.

The deity is saved covered with an unctuous practise of sandal paste. as soon as a year i.e, on akshaya thritheeya day (third day of Vaisakhamasam) this sandal paste will be removed in a ceremony on the festival referred to as Chandanayatra (Chandanotsavam) and Nija roopa darsanam of Swamy Vari could be furnished to devotees. it is the most crucial pageant in this temple.

Danteshwari Temple Jagdalpur.intemples tourismindia

Danteshwari Temple Jagdalpur

Danteshwari Temple Jagdalpur. it's far an ancient temple constructed through the kings of Bastar for inhabiting there family Goddess, Devi Danteshwari. Devi Danteshwari is the Goddess of whole Bastar division, similarly worshipped by means of Hindus as well as tribals. This temple is located beside Bastar palace and near to Gole Bazar. it's far worth seeing and excellent to look at the temple for the duration of the well-known Bustar Dusshera pageant season, embellished in coloration lighting and lambs, in which the principle traditional functions of the fairs are being done.

Danteshwari Temple is temple devoted to Goddess Danteshwari, and is one of the fifty two Shakti Peethas, shrines of Shakti, the divine feminine, unfold throughout India. The temple built inside the 14th century by means of the Chalukyas of the South, is situated in Dantewada, a town located 80 km from Jagdalpur Tehsil, Chhattisgarh. Dantewada is known as after the Goddess Danteshwari, the presiding deity of the earlier Kakatiya rulers. traditionally she is the Kuldevi (circle of relatives goddess) of Bastar nation.

The temple is as in accordance legends, the spot wherein the Daanth or enamel of Sati fell, during the episode whilst all of the Shakti shrines were created in the Satya Yuga.

every 12 months during Dusshera hundreds of tribals from surrounding villages and jungles collect here to pay homage to the goddess, when her idol become taken out of that historical Danteshwari temple after which taken around the city in an intricate procession, now a famous tourist appeal part of the ‘Bastar Dussehra’ pageant. There additionally a is subculture of lighting fixtures Jyoti Kalashas at some stage in Navaratris here.

kanchi kamakshi temples in kanchipuram

 kamakshi temple

About kanchi                                                                                      

The Goddess Kamakshi is in a sitting posture within the temple. This posture is referred to as the Padmasana posture. The Padmasana posture is said to" resemble a lotus. in the Yogic practice this resembles the form of meditation". The Goddess holds a Sugarcane bow on her left top arm and Lotus, Parrot in her right upper arm. The Goddess also has divine chakras known as Pasa and Angusa in her fingers.

The Goddess additionally has a Chandraperai (a shape of moon like structure) in her brow. The Goddess Kamakshi is situated within the middle of temple premises.For more detail of maduri

History well-knownshows that Goddess Kamakshi turned into praying under a mango tree with a Shiva lingam product of sand to marry the wonderful Lord Shiva. After an extended duration of devoted and devoted meditation to Lord Shiva, Lord Shiva seemed before her and married the Goddess Kamakshi, a divine shape of Parvati. There are no conventional Parvati or Shakti shrines within the town of Kanchipuram, other than this temple, which provides even extra legend to this temple.

kanchi history

Kanchi is also called as Satyavrita Kshetra . The Goddess worshipped Lord Siva by creating a mud idol in Kanchi. At that moment, Lord Siva incarnated as Kamba River with high tides to test the worship of the goddess, the goddess grasped the idol closely with her two hands from eroding in the tides. This prevented the idol from getting eroded in the floods. The goddess also performed Pooja by sitting in a needle tip surrounded by “Panchakagni” (surrounded by 5 fires) to free herself from the interest of livelihood. The Lord Shiva became happy, gestured before her and married the goddess. Though there are many Shiva temples in the city, the only temple to have the sanctorum of the goddess is 'SRI KAMAKSHI AMMAN TEMPLE’. There are also eight other Shakti goddesses surrounding the temple. 

Gayatri Mandapam                                                                                                                                    

The place where goddess resides is “Gayatri Mandapam”. The Goddess lives in temple in 3 forms. They are Sri Kamakshi, Sri Bilahasam and Sri Chakram. The goddess is in a sitting posture of “Padmasana” .The goddess contains Pasa, Angusa, Pushpabana and Sugarcane in her forehands.

The Goddess Mahalakshmi was given curse by the Lord Vishnu to incarnate as Aarupam form. The Goddess Mahalakshmi comes to Kanchipuram and performs the worship chanting in the name of Lord Vishnu to free her from this Aarupam. After long prayers, the Goddess is freed from her Aarupam and given a Rupam by the Lord Vishnu. There exists a belief that Goddess kamakshi kumkum has to be offered to the idol of Aarupa Lakshmi within the sanctorum where by the goddess Lakshmi will fulfil your needs on the prayer.

The temple sanctorum consists of a deity “Adivaraha Perumal” which is one of the 108 Vaishnaivaite deity worship temple.

The history reveals us that King Dasaratha performed “Putra Kameshi Yagam” in the temple for the Birth of a child to his kingdom. The King performed pooja to the “Nabisthanam” of the goddess in the temple. The King Dasaratha within a few months received a child. The King Dasasratha belongs to the “Ekshuvagu Vamsam” where by the prime deity is Goddess Kamakshi. The extract of this story is visible in “Markendeya Puranam”. The faith is if prayed truly the goddess provides child for the childless couples. 

The Saint Adisankara born at Kaladi in Kerala travelled across all the parts of the country. When he visited Kanchipuram he felt the goddess is in a ferocious mode that the entire sanctorum was very hot. So to personify her and accomplish to her to normal state the saint sung songs in the praise of goddess named “Soundarya Lahari” then he established a Sri Chakra in front of her idol to keep her cool and personified. This srichakram is visible to all of us and all the poojas are done to srichakram too. The Saint established Sri Kanchi Kamakoti Peetam and attained Sarvagyna peetam in this holy city.

Sri Kamakoti Peeta Vasini

The temple was visited by a dumb devotee named “Mookan”. The devotee begged the goddess to free him from this dumbness so that he can perform poems on the praise of the goddess. The goddess suddenly provides him grace by freeing him from dumbness and giving him intellectuality in creating poetry. He was very happy with the goddess that he wrote a poetry named “Mookapanchashati” in which he praises entirely about the grace of the goddess with her beauty.see more about kamakshi

The temple goddess has been so graceful that she has made dumb to a poetist, has given birth to the childless couples and provides wealth to all her devotees. The goddess destroys evil and helps the prosperity of goodness to prosper throughout the world.

The special occasions for the Goddess Kamakshi are Navratri, Bhramotsavam and Pournami (Full Moon Day). The goddess is distinctively powerful in these times and it is even more auspicious to visit the temple in these days.

I wish all the devotees to participate in this special time and receive the blessings of the Goddess Kamakshi without fail.

kamakshidevi video

madhuri menakshi history in templestourismindia

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in step with legend, the sacred Suyambulingam determined by means of the king of Gods indira at Kadambavanam, changed into later enshrined by way of him in Madurai. The fact that the Lord is seen on the automobile of Indira in this temple is said to be proof for this.

Many historic evidences of the temple have been determined dating back from early A.D. The temple changed into nearly completely destroyed within the year 1310 following the invasion of the Islamic conqueror Malikkapur.As kings who had been fans of Islam were cited for his or her intolerance closer to other religions, the invaders destroyed most of the ancient sculptures of the temple.

Thirugnanasambandar the Hindu Saint has mentioned the temple in his songs which go returned to early 7th century. The Lord has been defined as Alavai Iraivan in his songs.The temple changed into restored to its pristine glory inside the late 14th century when the Hindu Kings came back to strength in Madurai.this can additionally be termed as a brand new starting of a brand new era in the records of the temple, when it became almost rebuilt. The King Thirumalai Naicker performed an important function within the production of the brand new form of the temple according to information.

Bejavada kanaka durgamma temples in india

ఇంద్రకీలాద్రి కథ :- ఈ కనకదుర్గామాత ఇంద్రకీలాద్రిపై స్థిరఇంద్రకీలాద్రి కథ :- ఈ కనకదుర్గామాత ఇంద్రకీలాద్రిపై స్థిరనివాThe temple of Kanaka Durga the god of power, wealth and benevolence and also the presiding immortal of Vijayawada, is swarmed by lakhs of pilgrims for worship throughout the "Navarathri" pageant that is well known with spiritual fervour, elegance and diversion. the little however ancient temple of Kanaka Durga , a high the Indrakeeladri hill on the banks of the Sacred watercourse avatar in Vijayawada abounds with legends of historical interest.

Indrakeeladri is exclusive in this it's been the chosen abode of Kanaka Durga and Her consort Malleswara as Swayambhu (the self-existent one). Here Durga is one the proper aspect of Malleswara as against the tradition of Goddesses taking their position on the left of their consorts. This shows that Shakthi is predominant on the Indrakeeladri.

Legend has it that the demons noninheritable  nice powers by conciliative the Gods and commenced harassing the sages on the world. god Parvathi assumed numerous forms to kill these demons. it absolutely was kausiki to kill Sumbhu and Nisambhu, Mahisasura Mardini to kill Mahishasura and Durga to kill Durgamasura. "Kanaka Durga as a result of she was lambent with golden hues, and prayed Her to remain on earth and bless them. Kanaka Durga asked Keeludu an infatuated buff to require the shape of hill to change Her remain him. therefore Keeladri became the abode of Durga. She took the shape of Mahisasura Mardini with eight arms holding completely different weapons, riding on a lion and trample Mahishasura on hill of Indrakeeladri. Her consort Shiva took his place on AN adjacent hillrock as Jyothirlinga. He was idolized by Lord Brahma with jasmines (Mallelu) whereby he got the name of Malleswara Swamy. As celestial beings like Hindu deity visited the place, hill came to be referred to as Indrakeeladri.

Here it absolutely was consistent with another legend, that Arjuna performed penance and fought with Lord Shiva, World Health Organization had appeared within the colour of Kiratha to win pasupathastra, the foremost powerful weapon. thus this place is additionally referred to as Phalguna theertha.

Adi-Sankaracharya visited the temple and installed the Srichakra and initiated workship of Kanaka Durga in vedic ways.

Hiuan Tsang, a Chinese traveler wrote that he has seen many stone inscriptions in the vicinity of the temple that revealed historic events.When Indrakeeladri came within the manner of the watercourse avatar the Gods requested hill to permit the watercourse to have it to affix the ocean. Keeludu obligated and gave atiny low passage for the watercourse. however the violent avatar created the passage larger than allowable and carried a region of hill four miles downstream to Yanamalakuduru, wherever there is currently a hillrock referred to as "Thelukonda" or floating hillrock. consistent with another legend, Kanaka Durga borrowed the nose-stud of the avatar and to avoid returning it jumped up the hill. Krishna vowed to require back her ornament by raising her level to hill top by the tip of kaliyuga

Palakethu Bhupaludu made two inscriptions in the period 1150-1240 A.D. One related to unimpeaching Madhava Varma the ruler of this area. The son of poor women was killed when he fell under the wheels of the chariot of the king's son.

When she sought justice, Madhava Varma's advisers said that he should be punished with death. But they felt that the offender being the son of the king, could be spared the punishment. When Madhava Varma shown his impartiality by punishing his son with death, there rained gold on Vijayawada and both the boys were blessed to live again.

In yet another incident Malleswara stood by one of his staunch devotees Sripathi Pandithaiah, who believed there was no other God by Malleswara; and his stubbornness made the people ostracize him and he was even refused fire. The enraged Pandithaiah sought the blessings of Malleswara and cursed the people that they would not get fire any more, for he had taken possession of it, packed it in a silk cloth and hung it on a branch of a Sami Vriksham. The people had to apologise to Pandithaiah at the instance of their King, to get back the fire.

The nine-day festival of Navarathri ends on Vijaya Dasami Day when people worship arms and perform ayudha Pooja. Local chieftains used to celebrate the festival with pomp. Once a police officer refused them permission to display their arms on Vijaya Dasami day. He got a cable from that he was dismissed from service following many complaints against him. Terrified by the events, the Officer not only permitted the people to celebrate Vijaya Dasami but also took part in it. Later he got another cable canceling his dismissal order. thereafter, it became a tradition for policemen to celebrate Vijaya Dasami, that is still in vogue.

Kanaka Durga is specially adorned as Balatripura Sundari, Gayathri Annapoorna. Mahalakshmi, Saraswathi, Lalitha Tripura Sundari, Durga Devi, Mahissura Mardini and Raja Rajeswari Devi on each day of the Narvarathri festival. On Vijaya Dasami day, the deities are taken in a swan-shaped boat around the Krishna river, popularity known as "Theppotsavam".

Though a ghat road was laid in 1969, most of the pilgrims prefer to climb the steps leading to the temple an arduons task for women and children. Some devotees climb the hill, decorating the steps with turmeric powder and vermilion to redeem their pledge of Metla Pooja.సం ఏర్పరచుకొని భక్తులను ఈడేఇంద్రకీలాద్రి కథ :- ఈ కనకదుర్గామాత ఇంద్రకీలాద్రిపై స్థిరనివాసం ఏర్పరచుకొని భక్తులను ఈడేరుస్తోంది. కనకదుర్గామాత ఇంద్రకీలాద్రిపై వెలసి వుండడానికి ఒక కథ వుంది. దుర్గామాత ఆలయం వున్న కొండను ఇంద్రకీలాద్రి అంటారు. ఈ పర్వతాన్ని అధిష్ఠించినవాడు ఇంద్రకీలుడు అనే యక్షుడు. అతను పూర్వకాలంలో ప్రతిరోజు కృష్ణవేణి నదిలో స్నానం చేస్తూ నదికి ఉత్తర భాగంలో తపస్సు చేసుకుంటూ వుండేవాడు. అతని తపస్సుకు మెచ్చి పార్వతీపరమేశ్వరులు ప్రత్యక్షమై వరం కోరుకోమన్నారు. పార్వతీపరమేశ్వరులకు తాను ఆసనం అయ్యే భాగ్యం ప్రసాదించవలసిందిగాఇంద్రకీలుడు వరం కోరాడు. అతని కోరిక తీర్చడానికి మహిషాసుర సంహారానంతరం కనకదుర్గామాత ఇంద్రకీల పర్వతం మీద ఆవిర్భవించింది. ఇక్కడ దుర్గ ఎనిమిది బాహువుల్లో ఎనిమిది ఆయుధాలు కలుగి, సింహాన్ని అధిష్టించి మహిషాసురోత్తమాంగాని శూలంతో పొడుస్తూ కనిపిస్తుంది. ఆరి, శంఖ, కేత, శూల, పాశ, అంకాశ, మౌర్వి, శౌనకాలనేవి దుర్గాదేవి బాహువుల్లోను ధరించే ఎనిమిది ఆయుధాలు, ఈ దేవీమూర్తికి ఎడమభాగంలో శ్రీ చక్రం స్థాపించబడి వుంది. ఆ శ్రీ చక్రానికి పక్కన గణపతి దేవతామూర్తి వుంది, ఆలయంలో జరిగే పూజలన్నీ శ్రీ చక్రానికి జరుగుతాయి. ఆ దేవీమూర్తికి గల మకరతోరణంపై నవదుర్గల విగ్రహాలు చెక్కబడి వున్నాయి. శ్రీశైల, బ్రహ్మచారిణి, చండ, మష్మాండ, స్కందమాత, కాత్యాయని, కాళరాత్రి, మణిగౌరి, సిద్ధి అనేవి నవదుర్గల పేర్లు. - See more at: htఇంద్రకీలాద్రి కథ :- ఈ కనకదుర్గామాత ఇంద్రకీలాద్రిపై స్థిరనివాసం ఏర్పరచుకొని భక్తులను ఈడేరుస్తోంది. కనకదుర్గామాత ఇంద్రకీలాద్రిపై వెలసి వుండడానికి ఒక కథ వుంది. దుర్గామాత ఆలయం వున్న కొండను ఇంద్రకీలాద్రి అంటారు. ఈ పర్వతాన్ని అధిష్ఠించినవాడు ఇంద్రకీలుడు అనే యక్షుడు. అతను పూర్వకాలంలో ప్రతిరోజు కృష్ణవేణి నదిలో స్నానం చేస్తూ నదికి ఉత్తర భాగంలో తపస్సు చేసుకుంటూ వుండేవాడు. అతని తపస్సుకు మెచ్చి పార్వతీపరమేశ్వరులు ప్రత్యక్షమై వరం కోరుకోమన్నారు. పార్వతీపరమేశ్వరులకు తాను ఆసనం అయ్యే భాగ్యం ప్రసాదించవలసిందిగాఇంద్రకీలుడు వరం కోరాడు. అతని కోరిక తీర్చడానికి మహిషాసుర సంహారానంతరం కనకదుర్గామాత ఇంద్రకీల పర్వతం మీద ఆవిర్భవించింది. ఇక్కడ దుర్గ ఎనిమిది బాహువుల్లో ఎనిమిది ఆయుధాలు కలుగి, సింహాన్ని అధిష్టించి మహిషాసురోత్తమాంగాని శూలంతో పొడుస్తూ కనిపిస్తుంది. ఆరి, శంఖ, కేత, శూల, పాశ, అంకాశ, మౌర్వి, శౌనకాలనేవి దుర్గాదేవి బాహువుల్లోను ధరించే ఎనిమిది ఆయుధాలు, ఈ దేవీమూర్తికి ఎడమభాగంలో శ్రీ చక్రం స్థాపించబడి వుంది. ఆ శ్రీ చక్రానికి పక్కన గణపతి దేవతామూర్తి వుంది, ఆలయంలో జరిగే పూజలన్నీ శ్రీ చక్రానికి జరుగుతాయి. ఆ దేవీమూర్తికి గల మకరతోరణంపై నవదుర్గల విగ్రహాలు చెక్కబడి వున్నాయి. శ్రీశైల, బ్రహ్మచారిణి, చండ, మష్మాండ, స్కందమాత, కాత్యాయని, కాళరాత్రి, మణిగౌరి, సిద్ధి అనేవి నవదుర్గల పేర్లు. - See more at: స్తోంది. కనకదుర్గామాత ఇంద్రకీలాద్రిపై వెలసి వుండడానికి ఒక కథ వుంది. దుర్గామాత ఆలయం వున్న కొండను ఇంద్రకీలాద్రి అంటారు. ఈ పర్వతాన్ని అధిష్ఠించినవాడు ఇంద్రకీలుడు అనే యక్షుఇంద్రకీలాద్రి కథ :- ఈ కనకదుర్గామాత ఇంద్రకీలాద్రిపై స్థిరనివాసం ఏర్పరచుకొని భక్తులను ఈడేరుస్తోంది. కనకదుర్గామాత ఇంద్రకీలాద్రిపై వెలసి వుండడానికి ఒక కథ వుంది. దుర్గామాత ఆలయం వున్న కొండను ఇంద్రకీలాద్రి అంటారు. ఈ పర్వతాన్ని అధిష్ఠించినవాడు ఇంద్రకీలుడు అనే యక్షుడు. అతను పూర్వకాలంలో ప్రతిరోజు కృష్ణవేణి నదిలో స్నానం చేస్తూ నదికి ఉత్తర భాగంలో తపస్సు చేసుకుంటూ వుండేవాడు. అతని తపస్సుకు మెచ్చి పార్వతీపరమేశ్వరులు ప్రత్యక్షమై వరం కోరుకోమన్నారు. పార్వతీపరమేశ్వరులకు తాను ఆసనం అయ్యే భాగ్యం ప్రసాదించవలసిందిగాఇంద్రకీలుడు వరం కోరాడు. అతని కోరిక తీర్చడానికి మహిషాసుర సంహారానంతరం కనకదుర్గామాత ఇంద్రకీల పర్వతం మీద ఆవిర్భవించింది. ఇక్కడ దుర్గ ఎనిమిది బాహువుల్లో ఎనిమిది ఆయుధాలు కలుగి, సింహాన్ని అధిష్టించి మహిషాసురోత్తమాంగాని శూలంతో పొడుస్తూ కనిపిస్తుంది. ఆరి, శంఖ, కేత, శూల, పాశ, అంకాశ, మౌర్వి, శౌనకాలనేవి దుర్గాదేవి బాహువుల్లోను ధరించే ఎనిమిది ఆయుధాలు, ఈ దేవీమూర్తికి ఎడమభాగంలో శ్రీ చక్రం స్థాపించబడి వుంది. ఆ శ్రీ చక్రానికి పక్కన గణపతి దేవతామూర్తి వుంది, ఆలయంలో జరిగే పూజలన్నీ శ్రీ చక్రానికి జరుగుతాయి. ఆ దేవీమూర్తికి గల మకరతోరణంపై నవదుర్గల విగ్రహాలు చెక్కబడి వున్నాయి. శ్రీశైల, బ్రహ్మచారిణి, చండ, మష్మాండ, స్కందమాత, కాత్యాయని, కాళరాత్రి, మణిగౌరి, సిద్ధి అనేవ నవదుర్గల పేర్లు. మహిషాసుర సంహారం :- - See more at: వాడు. అతని తపస్సుకు మెచ్చి పార్వతీపరమేశ్వరులు ప్రత్యక్షమై వరం కోరుకోమన్నారు. పార్వతీపరమేశ్వరులకు తాను ఆసనం అయ్యే భాగ్యం ప్రసాదించవలసిందిగాఇంద్రకీలుడు వరం కోరాడు. అతని కోరిక తీర్చడానికి మహిషాసుర సంహారానంతరం కనకదుర్గామాత ఇంద్రకీల పర్వతం మీద ఆవిర్భవించింది. ఇక్కడ దుర్గ ఎనిమిది బాహువుల్లో ఎనిమిది ఆయుధాలు కలుగి, సింహాన్ని అధిష్టించి మహిషాసురోత్తమాంగాని శూలంతో పొడుస్తూ కనిపిస్తుంది. ఆరి, శంఖ, కేత, శూల, పాశ, అంకాశ, మౌర్వి, శౌనకాలనేవి దుర్గాదేవి బాహువుల్లోను ధరించే ఎనిమిది ఆయుధాలు, ఈ దేవీమూర్తికి ఎడమభాగంలో శ్రీ చక్రం స్థాపించబడి వుంది. ఆ శ్రీ చక్రానికి పక్కన గణపతి దేవతామూర్తి వుంది, ఆలయంలో జరిగే పూజలన్నీ శ్రీ చక్రానికి జరుగుతాయి. ఆ దేవీమూర్తికి గల మకరతోరణంపై నవదుర్గల విగ్రహాలు చెక్కబడి వున్నాయి. శ్రీశైల, బ్రహ్మచారిణి, చండ, మష్మాండ, స్కందమాత, కాత్యాయని, కాళరాత్రి, మణిగౌరి, సిద్ధి అనేవి నవదుర్గల పేర్లు. మహిషాసుర సంహారం :- - See more at: httనివాసం ఏర్పరచుకొని భక్తులను ఈడేరుస్తోంది. కనకదుర్గామాత ఇంద్రకీలాద్రిపై వెలసి వుండడానికి ఒక కథ వుంది. దుర్గామాత ఆలయం వున్న కొండను ఇంద్రకీలాద్రి అంటారు. ఈ పర్వతాన్ని అధిష్ఠించినవాడు ఇంద్రకీలుడు అనే యక్షుడు. అతను పూర్వకాలంలో ప్రతిరోజు కృష్ణవేణి నదిలో స్నానం చేస్తూ నదికి ఉత్తర భాగంలో తపస్సు చేసుకుంటూ వుండేవాడు. అతని తపస్సుకు మెచ్చి పార్వతీపరమేశ్వరులు ప్రత్యక్షమై వరం కోరుకోమన్నారు. పార్వతీపరమేశ్వరులకు తాను ఆసనం అయ్యే భాగ్యం ప్రసాదించవలసిందిగాఇంద్రకీలుడు వరం కోరాడు. అతని కోరిక తీర్చడానికి మహిషాసుర సంహారానంతరం కనకదుర్గామాత ఇంద్రకీల పర్వతం మీద ఆవిర్భవించింది. ఇక్కడ దుర్గ ఎనిమిది బాహువుల్లో ఎనిమిది ఆయుధాలు కలుగి, సింహాన్ని అధిష్టించి మహిషాసురోత్తమాంగాని శూలంతో పొడుస్తూ కనిపిస్తుంది. ఆరి, శంఖ, కేత, శూల, పాశ, అంకాశ, మౌర్వి, శౌనకాలనేవి దుర్గాదేవి బాహువుల్లోను ధరించే ఎనిమిది ఆయుధాలు, ఈ దేవీమూర్తికి ఎడమభాగంలో శ్రీ చక్రం స్థాపించబడి వుంది. ఆ శ్రీ చక్రానికి పక్కన గణపతి దేవతామూర్తి వుంది, ఆలయంలో జరిగే పూజలన్నీ శ్రీ చక్రానికి జరుగుతాయి. ఆ దేవీమూర్తికి గల మకరతోరణంపై నవదుర్గల విగ్రహాలు చెక్కబడి వున్నాయి. శ్రీశైల, బ్రహ్మచారిణి, చండ, మష్మాండ, స్కందమాత, కాత్యాయని, కాళరాత్రి, మణిగౌరి, సిద్ధి అనేవి నవదుర్గల పేర్లు. మహిషాసుర సంహారం :- - 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SRISAILAM BHRAMARAmBHIKAMALLIKAJUNA VIBHOGAM

mallikarjuna stories

When Kumar Kartikeya came back to Kailash once finishing his trip round the earth, he detected concerning Ganesha’s wedding from Narada. This infuriated him. In spite of being restrained by his folks, he touched their feet in obeisance and left for Krounch Mountain. Hindu deity was terribly overwrought at having to be removed from her son, implored Lord Shiva to appear for his or her son. Together, they visited Kumara. But, Kumara went away an additional 3 Yojanas, once learning concerning his folks returning once him to Krouncha Mountain. Before embarking on an additional seek for their son on every mountain, they determined to go away a lightweight on each mountain they visited. From that day, that place came to be called JyotirLinga Mallikarjuna. it's believed that Shiva and Hindu deity visit this palce on Amavasya (No moon day) and (full Moon day) Pournami, severally. Visiting this JyotirLinag not solely blesses one with countless wealth, however additionally name and fame and fulfils all the wishes.

Surya Bhagavan in temples india

Sanjana was the daughter of Vishwakarma (the celestial engineer and architect). As Sanjana grew to a marriageable age, Vishwakarma sought out for a suitable groom, and approached Surya, the Sun God to accept his daughter’s hand in marriage. Surya accepts and the marriage is solemnized.

A little while into the marriage and Sanjana is troubled, she can take it no more, the glare and heat emitted from Surya’s golden aura have darkened her complexion and sapped her energy; she no longer feels any love for her husband. Her color now resembles the energies of evening/dusk and the Gods bestow her with a new name – Sandhya.

see for more detail of Govindanamalu

Sanjana plots a plan for her escape. She creates a clone. She calls her clone “Chhaya”. She installs Chhaya in her place and instructs her not to leave Surya’s presence under any circumstances, and to dutifully remain there till her return. Sanjana then returns to her father’s house for some respite. Surya does not notice the difference. He takes Chhaya to be his wife; he initiates marital relations; Chhaya conceives and delivers a son – Shani (Saturn). Shani is born of dark complexion like his mother, and also inherits Chhaya’s serious and somber countenance.

Vishwakarma hears news of Shani’s birth and he is deeply troubled. He confronts Sanjana and ask for the truth. Sanjana confesses having left behind a clone. Vishwakarma immediately orders his daughter to return to her rightful position in Surya’s house. Sanjana returns to Surya’s house but is livid with Chhaya for having violated the scope of her orders. Sanjana destroys Chhaya’s tangible body and reduces her to a mere illusion in Surya’s light and glare.

Surya once again does not notice the exchange of wives. Sanjana gives birth to 2 children from Surya – son Yama and daughter Yamuna. As the children grow older, Sanjana’s animosity towards Shani grows stronger and she does everything in her power to distance him from Surya. Devoid of motherly love and fatherly attention, Shani is distraught, depressed, lazy and utterly directionless.

The 3 children come of age, and time comes to bestow them with responsibilities. Surya announces the same to his children; hearing this, Sanjana quickly poisons Surya’s mind against the capabilities of Shani and requests him to divide his responsibilities between Yama and Yamuna. Surya relents.

So on the appointed day, Shani (the elder son) is ignored and Yama is given the title of “Dharmaraj” or “king of dharma” and is given the responsibility of upholding truth in humanity. Yama though popularly known as “God of death” is not literally so; he merely appears at the appointed time of death so that he can cart away the soul and present the updated karmic balance sheet of the life just gone by, to the soul; and explain with compassion, righteousness and an unwavering approach – the good and bad deeds of the soul and the likely implications of same in this after-life.

Yamuna is given the status of a holy river, and is given the responsibility of washing away the sins of those who bathe in her or partake of her waters. She is also given the responsibility of generating a spark of good thought in all those who touch her waters.

Yama and Yamuna accept their responsibilities and leave. Shani is left standing all alone. As a son and older brother, he feels humiliated and insulted. Unable to break the barriers of communication with his father; unable to invoke love from his mother; unable to express authority over his younger brother and sister, and unable to prove the capability that he believes he has – a rage builds up in Shani.

To vent his anger, he seeks out mother Sanjana and delivers a well aimed kick in her womb believing that she is an insult to the womb that she birthed him from. Shocked at this act, Sanjana retaliates by cursing Shani to lose the leg that he kicked her with. Maimed and helpless, Shani lies on the ground. The scene is witnessed by Surya. Though he can forgive Shani’s behavior as he act of an unruly son, he is unable to understand the curse of mother Sanjana. Surya then confronts Sanjana for the truth.

Sanjana confesses to her folly, apologises, and narrates about her clone Chhaya and the birth of Shani before her return to Surya’s home. Surya is livid with rage and glows brighter and hotter than before. He accepts Shani as his legitimate older son, restores his lost leg though a limp still remains to honor the word of his mother’s curse, and then makes amends by bestowing upon him the honor of a place in the solar system. Shani is installed as the planet that will govern “karma” and “dharma” in a horoscope. He will enter your horoscope as your karmic guru, your harshest teacher, and will ensure that you learn your lessons and pass your tests, so that you can rise higher up the karmic ladder.  Like his brother Yama, Shani will brook no concessions in the house that he will appear in, and will force you like a hard taskmaster to confront and deal with your toughest karmic issues – and bestow you with his own traits of patience, seriousness and diligence to help you learn your lessons in the appointed house.

True to his own life experiences, the house that Shani appears in, will first experience – insults, depression, prejudice, laziness and a sense of being directionless before you can invoke his powers of patience, perseverance and hard-work to deal with your tests.

Astrologically also, the placement of Shani and Surya in the same house is not considered good. The old Vedic animosity will resurface and the native will always feel the pressure of “wanting to glow with the pride of Surya” but being “subdued with the restrictions of Shani”. It is a balance that the native will seek to find in his life.

After Shani’s installation into the solar system as a planet, the Gods gathered around him and chanted an invocation to restore his lost honor; that chant is used even today used as a prayer to propitiate Shani:-

Neelaanjana samaabhaasam (To the color of brilliant dark blue)

Ravi-putram Yama-agrajam (Son of Surya, elder brother, agraj, of Yama)

Chhaya-Maartanda sambhootam (Son of Chhaya and Surya)

Tam namaami Shanaishcharam (We offer our obeisance)

Saibabawords intemples of india

DHOOP ARATI

1. Arati Saibaba

Arati Sai Baba. Saukhyadatara Jiva. Caranarajatali
Dyava dasa visava, bhakta visava
Aarti…
Jaluniya ananga. Sasvarupi rahe danga Mumuksa janan davi.
Nija dola Sriranga. Dola Sriranga
Aarti…
Jaya mani jaisa bhava. Tayataisa anubhava Davisi dayaghana,
Aisi tuzi he mava, tuzi he mava.
Aarti…
Tumace nama dhyata. Hare Sansruthivyatha
Agadha Tava karani. Marga davisi anatha, davisi anatha.
Aarti…
Kaliyuga Avatara, Saguna Brahma sachara
Avatirna zalase Svami Datta Digambara, Datta Digambara.
Aarti…
Athan Divasa Gurvari.Bhakta kariti vari.
Prabhupada Pahavaya Bhava Bhayanivari, bhayanivari.
Aarti…
Maza nijadravya theva, Thava carana-raja-seva
Magane heci aata, Tumhan devadideva, devadideva.
Aarti…
Ichita Dina chatak Nirmala toya nijasukha
Pajaven Madhava Ya Sambhala apuli bhaka, apuli bhaka.
Aarti…

2. Siradi maze Pandharapura

Siradi Maze Pandharapura. Sai Baba Ramavare.
Baba Ramavara. Sai Ramavara.
Sudha bhakti chandrabhaga, Bhava Pundalika jaga.
Pundalika jaga, Bhava Pundalika jaga.
Yaho yaho avaghe jana, Kara Babansi vandana
Babansi vandana, Saisi vandana.
Ganu mhane Baba Sai. Dhava pava mazi ai.
Pava maze ai. Dhava pava mazi ai.

3. Ghalina lotangana

Ghalina lotangana vandina carana, Dolyanni pahina rupa tuze
Preme aligina, anande pujina, Bhave ovalina mhane Nama.
Tvameva mata ca pita tvameva, Tvameva bandhusca sakha tvameva
Tvameva vidya dravinam tvameva, Tvameva sarvam mama, Deva Deva.
Kayane Vaca manasendriyairva. Budhyatmanava prakriti svabhavat
Karomi yadyatsakalam parasmai. Narayanayeti samarpayami.
Acchutam keshavam ramanarayanam
Krishnadamodaram vasudevam harim
Sridharam Madhavam Gopikavallabham,
Janakinayakam Ramacandran bhaje.

4. Namasmarana

Hare Rama, Hare Rama, Rama Rama Hare Hare
Hare Krishna, Hare Krishna, Krishna Krishna Hare Hare
(3 times)

5. Namaskarastaka

Anantha tula te kase re stavave Anantha tula te kase re namve
Anantha mukhanca sine sesa gatan Namaskara sastanga Sri Sainatha.
Smarave mani tvatpada nitya bhave Urave tari bhaktisati svabhave
Tarave jaga taruni mayatata Namaskara sastanga Sri Sainatha.
Vase jo sada davaya santa lilaDise ajnya lokanpari jo jananla
Pari antari jnana kaivalyadata. Namaskara sastanga Sri Sainatha.
Bari ladhala janma ha manavaca Nara sarthaka sadhanibhuta saca
Dharu Sai preme galaya ahanta Namaskara sastanga Sri Sainatha.
Dharave kari sana alpajna bala Karave amhan dhanya cumboni gala
Mukhi ghala preme khara grasa ata. Namaskara sastanga Sri Sainatha.
Suradhika jyanchya pada vandhitati Sukadika jyate samanatva deti
Prayagadi tirthe padi namrahota. Namaskara sastanga Sri Sainatha.
Tuzya jya pada pahata gopabali Sada rangali citsavarupi milali
Kari rasakrida save Krsnanatha. Namaskara sastanga Sri Sainatha.
Tula magato magane eka dyave Kara joditho dina atyanta bhave
Bhavi Mohaniraja ha tari aata. Namaskara sastanga Sri Sainatha.

6. Aisa yei Ba

Aisa yei Ba. Sai Digambara. Akshayarupa Avatara Sarvahi vyapaka tu.
Sruti Sara, Anusaya-trikumara Aisa yei ba
Kasi Snana Japa, prathidivasi. Kohlapura bhiksesi
Nirmala nadi tunga, jala prasi, Nidra mahura desi. Aisa yei ba
Zoli lombatase vama kari. Trisula damaru-dhari
Bhaktan varada sada sukhakari Deshila Mukti cari Aisa yei ba
Payi paduka japamala kamandalu mrgachala Dharana karisi Ba
Nagajata muguta sobhato matha. Aisa yei ba
Tatpara tuzya ya he dhyani. Aksaya tyanche sadani
Lakshmi vasakari dinarajani. Raksisi sankata varuni Aisa yei ba
Ya pari dhyana tuze Gururaya drsya kari nayanan ya
Purnanandha sukhe hi kaya. Lavisi hariguna gaya.
Aisa yei Ba. Sai Digambara. Akshayarupa Avatara Sarvahi vyapaka tu.
Sruti Sara, Anusaya-trikumara Aisa yei ba

7. Sri Sainatha Mahima Stotram

Sada satsavarupam cidananda kandam jagatsambhavasthana samhara he tum
Svabhaktecchaya manusam darsyamtam, namamisvaram sadgurum sainatham.
Bhavadhvantavidvamsa martandamidayam manovaggatitam munirdhyanagamyam
Jagat-vyapakam nirmalam nirgunam tvam, namamisvaram sadgurum sainatham.
Bhavbambhodhi magnarditanam jananam, svapada-sritanam svabhaktipriyanam
Samudharanartha kalau sambhavantam, namamisvaram sadgurum sainatham.
Sada nimbavrksasya muladhivasat sudhastravinam titka mapya priyam tam
Tarun kalpavrksadhikam sadhayantam, namamisvaram sadgurum sainatham.
Sada kalpavrksasya tasyadhimule bhavedbhavabuddhaya saparyadhisevaam
Nrnam kurvathaam bhuktimukti ptadam tam, namamisvaram sadgurum sainatham.
Anekasruta tarkya lilavilasaih, samaviskrtesana bhasvatprabhavam
Ahambhavahinam prasannatmabhavam, namamisvaram sadgurum sainatham.
Satam visrama rama mevabhiramam, sada sajjanaih Sanstutam sannamaddhih,
Janamodadam bhaktabhadra-pradham tam, namamisvaram sadgurum sainatham.
Ajanmadhyamekham param brahma saksat svayam sambhavam ramameva vathirnam
Bhavadarsanatsam Punitah praboham, namamisvaram sadgurum sainatham.
Sri Saisa Krpanidhe khiladrnam sarvarthasiddhiprada
Yusmatpadarajah prabhavamatulam dhatapivakta kshamah
Sadbhaktya saranam krtanjaliputah samprapito-smi Prabho,
Srimat Sau paresapada-kamalannanyaccharanyam mama.
Sairupadhara Raghavottamam bhakta kama vibhudha dhrumam Prabhum.
Mayayopahatacitta suddhaye, cintaya myahamaharnisam-muda.
Saratsudhamsu pratima-prakasham, kripatapatram tava sainatha
Tvadhiyapadabja samsritanam svacchayay tapamapakarotu.
Upasanadaivata Sainatha, stavair mayopasanina stutastvam
Ramenmano me tava padayugme, bhrngo, yathabje makarandalubdhah.
Anekajanmarjita papasankshyo, bhavedhbhavatpada saroja darsanat
Ksamsva sarvana paradha punjakan prasida Saisa Guro dayanidhe.
Sri Sainatha caranamrta puta cittastatpada sevanaratah satatam ca bhaktya
Sansara janya duritau dhavinir gathaste kaivalyadhama paramam samavapnuvanti.
Stotrametatpathedbhaktya yo narastanmanah sada
Sadguru Sainathasya krpa patram bhaved dhruvam.
Sainatha krpa sarvadrusatpadya kusumavalih
Sreyase ca manah sudhyai premasutrena gumfita.
Govindasuriputrena Kasinathabhidhayina
Upasanityupakhyena Sri Sai Gurave’ rpita.

8. Sri Guruprasada – Yacana – Dasata

Ruso mama priyambija mahavari pitahi ruso,
Ruso mama priyangana, priyasutatmajahi ruso.
Ruso bhagini bandhuhi, svasura sasubai ruso
Na Datta Guru Sai ma, majavari kadihi ruso.
Puso na sunabai tya maja na bhratrjaya puso
Puso na priya soyare, priya sage na jnati puso.
Puso suhrda na sakha, svajana naptabandhu puso,
Pari na Guru Sai ma, majavari kadihi ruso.
Puso na anala mule, taruna vrddhahi na puso,
Puso na Guru dhakute, maje na thora sane puso.
Puso naca bhalebure, sujana sadhuhi na puso,
Pari na Guru Sai ma, majavari kadihi ruso.
Ruso catura tattvavit vibudha prajna jnani ruso,
Rusohi vidusi striya kusala panditahi ruso,
Ruso mahipati vati bhaiaka tapasihi ruso,
Na Datta Guru Sai ma, majavari kadihi ruso.
Ruso javi rsi muni anagha siddha yogi ruso,
Ruso hi grhadevata, ni kulagramadevi ruso.
Ruso khala pisaccahi malina dakinihi ruso,
Na Datta Guru Sai ma, majavari kadihi ruso.
Ruso mrga khaga krmi, akila jivajantu ruso,
Ruso vitapa prasatara acala apagabdhi ruso.
Ruso kha pavanagni vara avani pancatattve ruso,
Na Datta Guru Sai ma, majavari kadihi ruso.
Ruso vimala kinnara amala yakinihi ruso,
Ruso sasi khagadihi, gagani tarakahi ruso.
Ruso amararajahi adaya Dharmaraja ruso,
Na Datta Guru Sai ma, majavari kadihi ruso.
Ruso mana sarasvati, capalacitta tehi ruso,
Ruso vapu disakhila kathina kala rohi ruso.
Ruso sakala visahi mayi tu brahmagola ruso,
Na Datta Guru Sai ma, majavari kadihi ruso.
Vimudha mhanuni haso, maja na matsarahi daso,
Padabhiruci ulhaso, jananakardami na faso.
Na durga dhrtica dhaso, asivabhava mage khaso,
Prapanci mana he ruso, drdha virakti citti thaso.
Kunachi ghrna naso na ca sprha kasaci aso,
Sadaiva hrdayi vaso, manasi dhyani Sai vaso.
Padi pranaya vorso, nikhila drsya Baba diso,
Na Datta Guru Sai ma, upari yacanela ruso.

9. Puspanjali

Hari Aum Yajnena yajnamayajanta Devastani dharmani prathamanyasan
Te ha nakam mahimanah sacanta yatra Purve sadhya santi devah.
Aum Rajadhirajaya prasahyasahine namo vayam vaisravanaya kurmahe.
Sa me kamanka makamaya mahyam Kamesvaro vaisravano dadhatu
Kuberaya Vaisravanaya Maharajaya Namaha
Aum Svasti. Sam Rajam Bhaujyam. Svarajyam Vairajyam Para,eshtayam Rajyam
Maharajyamadhipatya mayam Samantaparyayi Syatsarvabhaumah
Sarvayusya Antadaparardhat prithivyai samudraparyanthaya ekaraliti.
Tadapyesa slok’bhi gito marutah parivestaro
Maruttasyavasangrhe, Aviksitasaya kamaprervisvedevah sahasada iti.
Sri Narayana Vasudeva
Sachidananda Sadguru Sainatha
Maharaja Ki Jaya.

10. Prarthana

Karacharanakrtam vakkayajam karmajam va
Sravananayanajam va manasam va’ paradham
Viditamaviditam va sarvametatksamasva.
Jaya Jaya karunabdhe Sri Prabho Sainatha
Sri sacchidananda sadguru
Sainatha maharaja ki Jai.
Aum Rajadhiraja Yogiraja
Parabrahma Sainatha Maharaja
Sri sacchidananda sadguru
Sainatha maharaja ki Jai.

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LALITHA SAHASRANAMAM IN TEMPLES INDIA

Asyashrilalita sahasranama stotras mahamantrasya, vashinyadi

vagdevata

Rushayah anushtup chandaha shree lalita parameshari devata

shrimadvagbhava

Kutetibijam madhyakuteti shaktih shaktinyasam karanyasancha

kuryat mama

Shree lalita parameshari prasada sidhyardhe jape viniyogah

Now More About Sai Baba Temples

DHYANAM

Sinduraruna vigragam, trinayanam, manikyamaoli spharat

Taranayaka shekharam, smitamukhim, aapinavakshoruham

Panibhyam, alipurnaratna chashakam, raktotpalam bibhratim

Saomyam ratna ghatasdha raktacharanam

Dhyayetparamanbikam

Arunam karuna tarangitakshim

Dhruta pashankusha pushpa banachapam

Animadibhi ravrutam mayukhai

Rahamityeva vibhavaye, bhavanim

Dhyayetpadmasanasdham vikasita

Vadanam padmapatrayatakshim

Hemabham pitavastram karakalita

Lasadhemapadmam varangim

Sarvalankarayuktam satata mabhayadam

Bhaktanamram bhavanim

Shree vidyam shantamurtim sakala suranutam

Sarvasanpatpradatrim

Sakunkuma vilepana malikachunbi sasturikam

Samandahasi tekshenam sasharachapa pashankusham

Asheshajana mohini marunamalya bhushanbaram

Japakusuma bhasuram japavidhao smaredanbikam

Sree-mata shree maha-ragyni shreematsinha-saneshvaree

Chidagni kunda-sanbhuta deva-karya samudyata – 1

Udyadbanu saha-srabha chatur-bahu saman-vita

Raga-svarupa pashadya krodha-karanku-shojvala – 2

Mano-rupekshu kodanda pancha tanmatra sayaka

Nijaruna prabha-pura majabhramhanda mandala – 3

Chanpaka shoka punnaga saogandhika lasatkacha

Kuruvinda mani shrenee kanatkotira mandita – 4

Ashtami chandra vibhraja dalikasdhala shobhita

Mukha-chandra kalankabha mruga-nabhi visheshaka – 5

hanuman chalisa from temples in india

Mahabir Bikram Bajrangi

Kumati nivar sumati Ke sangi

Kanchan varan viraj subesa

Kanan Kundal Kunchit Kesha

Hath Vajra Aur Dhuvaje Viraje

Kaandhe moonj janehu sajai

Sankar suvan kesri Nandan

Tej prataap maha jag vandan

Vidyavaan guni ati chatur

Ram kaj karibe ko aatur

Prabu charitra sunibe-ko rasiya

Ram Lakhan Sita man Basiya

Sukshma roop dhari Siyahi dikhava

Vikat roop dhari lank jarava

Bhima roop dhari asur sanghare

Ramachandra ke kaj sanvare

Laye Sanjivan Lakhan Jiyaye

Shri Raghuvir Harashi ur laye

Raghupati Kinhi bahut badai

Tum mam priye Bharat-hi-sam bhai

Sahas badan tumharo yash gaave

Asa-kahi Shripati kanth lagaave

Sankadhik Brahmaadi Muneesa

Narad-Sarad sahit Aheesa

Yam Kuber Digpaal Jahan te

Kavi kovid kahi sake kahan te

Tum upkar Sugreevahin keenha

Ram milaye rajpad deenha

Tumharo mantra Vibheeshan maana

Lankeshwar Bhaye Sub jag jana

Yug sahastra jojan par Bhanu

Leelyo tahi madhur phal janu

Prabhu mudrika meli mukh mahee

Jaladhi langhi gaye achraj nahee

Durgaam kaj jagath ke jete

Sugam anugraha tumhre tete

Ram dwaare tum rakhvare

Hoat na agya binu paisare

Sub sukh lahae tumhari sar na

Tum rakshak kahu ko dar naa

Aapan tej samharo aapai

Teenhon lok hank te kanpai

Bhoot pisaach Nikat nahin aavai

Mahavir jab naam sunavae

Nase rog harae sab peera

Japat nirantar Hanumant beera

Sankat se Hanuman chudavae

Man Karam Vachan dyan jo lavai

Sab par Ram tapasvee raja

Tin ke kaj sakal Tum saja

Aur manorath jo koi lavai

Sohi amit jeevan phal pavai

Charon Yug partap tumhara

Hai persidh jagat ujiyara

Sadhu Sant ke tum Rakhware

Asur nikandan Ram dulhare

Ashta-sidhi nav nidhi ke dhata

As-var deen Janki mata

Ram rasayan tumhare pasa

Sada raho Raghupati ke dasa

Tumhare bhajan Ram ko pavai

Janam-janam ke dukh bisraavai

Anth-kaal Raghuvir pur jayee

Jahan janam Hari-Bakht Kahayee

Aur Devta Chit na dharehi

Hanumanth se hi sarve sukh karehi

Sankat kate-mite sab peera

Jo sumirai Hanumat Balbeera

Jai Jai Jai Hanuman Gosahin

Kripa Karahu Gurudev ki nyahin

Jo sat bar path kare kohi

Chutehi bandhi maha sukh hohi

Jo yah padhe Hanuman Chalisa

Hoye siddhi sakhi Gaureesa

Tulsidas sada hari chera

Keejai Nath Hridaye mein dera

Doha

Pavan Tanay Sankat Harana 

Mangala Murati Roop

Ram Lakhana Sita Sahita 

Hriday Basahu Soor Bhoop

GOVINDA NAMALU IN TEMPLES OF INDIA

Vyjayanthimala Govinda
Vaddikasulavada Govinda
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Vasudhevathanaya Govinda
Bilvapathrarchitha Govinda
Bikshuka Samsthutha Govinda
Sri Pumroopa Govinda
Shivakaeshava Moorthi Govinda
Brahmandaroopa Govinda
Bhaktha Rakshaka Govinda

Govinda Hari Govinda
Gokulanandana Govinda

Nithyakalyana Govinda
Neerajanabha Govinda
Hatheramapriya Govinda
Harisarvothama Govinda
Janardhanamurthy Govinda
Jagathsakshiroopa Govinda
Abhishaekapriya Govinda
Aapannivarana Govinda
Rathna kireeta Govinda

Govinda Hari Govinda
Gokulanandana Govinda

Ramanujanutha Govinda
Swayam prakasha Govinda
Aashrithapaksha Govinda
Nithyashubhapradha Govinda
Nikhilalokaesha Govinda
Aanandha roopaa Govinda
AadhyamtharahithaGovinda
Ihaparadhayaka Govinda
Ibharajarakshaka Govinda

Govinda Hari Govinda
Gokulanandana Govinda

Paramadhayalo Govinda
Padhmanabhahari Govinda
Thirumalavasa Govinda
Thulasee Vanamali Govinda
Sheshadhrinilayaa Govinda
Srinivasa Sri Govinda
Shri Venkatesa Govinda

Govinda Hari Govinda
Gokulanandana Govinda


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